Archive for the 'Education' Category

Museum Educators Get Back by Giving

Gibbes museum educators serve as the face of the museum in our area schools. Currently, we have a team of 8 that work with our in-school programs Eye Spy and Eye Opener. The team is responsible for carrying out curriculum needs in the classrooms while working with teachers. It is a partnership. We work to enhance what the students are already learning. Gibbes museum educators bring fresh faces, new ideas, and different areas of expertise to the table. I feel fortunate each day to have such a great team that can heighten Charleston area students and teachers awareness of the importance of visual arts education. One of our newest educators, Lucie Medbery, shares how working as a museum educator has been a great learning experience for her as she gets to know the Lowcountry. —Rebecca Sailor, Curator of Education

Zucker Middle School students

Zucker Middle School students work on a writing project as part of the Eye Opener collaboration with ECM.

I am not from Charleston, but my husband grew up here. When we decided to retire, our hearts told us that Charleston was the place to be! As a retired educator, I hoped to find opportunities to work with students in challenging and engaging activities. I met Elise Detterbeck, who introduced me to the Museum’s Eye Spy program, and the Eye Opener program at Engaging Creative Minds (ECM). From there, the adventure began.

Museum Educator Lucie Medbery works with Zucker Middle School students.

Museum Educator Lucie Medbery works with Zucker Middle School students.

Drayton Hall students

Drayton Hall students enjoy the Gibbes Museum’s Eye Spy program.

Through these programs, I have met many talented and committed individuals, committed to using art as a vehicle to promote creativity, exploration, problem solving, and self awareness for students of all ages. I have learned a great deal about the rich artistic traditions that exist in the Lowcountry, and the thriving artist community here in Charleston. The dedicated staff at the Gibbes has been extremely supportive. I am so impressed with their expertise in developing meaningful programs for students in the area. As I learn about the plans underway for the reopening of the Gibbes, I am thrilled to be a small part in this tremendous endeavor.

Lucie Medberry works with Drayton Hall students.

Lucie Medberry works with Drayton Hall students.

Drayton Hall Elementary

Kids at Drayton Hall Elementary participate in the Eye Spy program.

I have thoroughly enjoyed my sessions with students in Eye Spy and ECM. In our discussions and activities with students about art, I witness their enthusiasm, insight, and inspiration. It is a privilege to be able participate in these valuable programs.

Lucie Medbery, Gibbes Museum Educator and Guest Blogger

How Art Engages Creative Minds

“Help! Our kids blanked out on last year’s writing test. They left the pages BLANK!”

That’s the kind of call for help I’ve been asked to address with an Engaging Creative Minds (ECM) project. ECM is a local non-profit that pairs teachers and art partners to collaborate on developing creative learning strategies in Charleston County Public Schools. The Gibbes is one of ECM’s Engaging Learning Experience (ELE) partners and we address all kinds of topics, using art as a springboard to self-expression.

This past December, my fellow museum educator Lucie Medbery and I started a 5-day writing workshop (held over two weeks) at Zucker Middle School. The aim was to get 180 7th-graders to WRITE, using 7th-grade science standards around biomes as ecosystems as our “springboard.” No more tests turned in with blank spaces!

Zucker Middle School students

Zucker Middle School students in Ms. Gleim’s ELA class.

The best part of an ECM project is the collaboration between partners (Lucie and me) and teachers (in this case, Elizabeth Gleim and Shorace Guider, 7th grade English Language Arts teachers). They ask for help, we “percolate” about how we can assist them, and together we come up with a plan. And the percolation part is so much fun! Lucie has a background in gifted education in Kansas City. My background is teaching French, and for many years I have been a museum educator at the Terra Museum in Chicago and at the Gibbes here in Charleston. We both have minds that respond to images and we both love kids.

Each planning session is so exciting! We throw out ideas, look for images, and before we know it, we can see multiple paths before us. But we have to keep returning to the standards we were asked to address. It takes a few sessions, but eventually we find the path we want to take. This project took many emails, lots of phone calls, and nine different PowerPoints to get the workshop to be what we wanted.

The use of media this time was so inspiring. Each 7th grader at Zucker has an iPad and we used them big time! When my teacher realized that I was continually morphing the PowerPoint presentations, she asked if she could upload them to the students’ iPads, and it worked so well!

At first, the students got so excited about the images that they would fast forward to see what was coming next. Then, we started loading our “homework” assignments on their iPads, while encouraging them to actually write with a pencil in their ECM composition books, and skip lines so they could edit their work. The students had it all on their personal tablets: the images, the assignments, and what was coming up next. They responded beautifully to the POWER it gave them.

Students act out a food chain during the "Biome to Biome" day.

Students act out a food chain during the “Biome to Biome” day.

One of the highlights of this project, for me anyway, was our “Biome to Biome” day. Each student drew a card (a specific animal) out of a deck of different animals. They had to assume that animal’s identity, find their biome, and then interact with the other “animals” in that biome. Then, of course, we asked them to write about it. With this exercise, it didn’t seem to matter where the students were in the 7th-grade hierarchy of reading, understanding, and writing levels. They just GOT it!

Acting out a food chain in the marine biome.

Acting out a food chain in the marine biome.

From “It all started at the Watering Hole” to “How I survived a Food Chain,” these students were fired up with images and ready to write down what they saw, what it meant, and how they felt about it. The writing samples are, of course, varied according to individual abilities, but each student seemed to have that aha moment.

Zucker Middle School student

A Zucker Middle School student shows off his writing sample from the workshop.

What a wonderful feeling by the end of the workshop to say “now write,” and have them all pick up their pens (not pencils!—we wanted them to learn to edit) and with great enthusiasm, WRITE! Many thanks to the Gibbes Museum and to ECM for giving us such fun opportunities to link art with learning!

Elise Detterbeck & Lucie Medbery, Museum Educators and Guest Bloggers

Staff Resolutions for 2016

2015 has been a wonderful year, and we’re grateful for the support from our members, donors, volunteers, board members, and corporate partners—a community coming together to make the arts in Charleston shine. We asked the Gibbes Staff to share some of their resolutions for the Museum in the New Year. We’re calling 2016 “The Year of the Gibbes,” with so much in store as the Museum plans to reopen its doors this spring. We cannot wait to invite you into the newly renovated building to view the reinstalled collection and special exhibitions, and to participate in our roster of exciting programs and events. Wishing you a Happy New Year full of creativity and inspiration!

—The Gibbes Staff

Erin Banks, Creative Director
–Establish a new Gibbes logo with the help of Gil Shuler Design.

–Launch a new Gibbes website, created by Blue Ion.

–Gather new exhibition images to use in our print materials!

John Westmark exhibition opening

Photo by MCG Photography

Rebecca Sailor, Curator of Education

–Enjoy good food and drink at the new Museum Café.

–Reopen the Museum with exhibitions, programs, and events that excite the Charleston community and visitors alike.

–Have a successful six weeks of Summer Art Camp for the first time ever in the building.

Summer Art Camp 2013

Photo by Carolina Photosmith

Becca Hiester, Curatorial Assistant
–Bring all of my friends in town on a tour of the museum, my own personal Museum Hack. Some of my friends have never been to the museum before (even if they grew up here!), and I need to spread the love!

Gibbes exhibition opening

Photo by MCG Photography

Jennifer Ross, Director of Development

–First and foremost, achieve our goal of $13.4M for the capital campaign to renovate and restore the Gibbes.

Gibbes Capital Campaign Thermometer

–Welcome back our community—both visitors and long-time supporters—to the Gibbes, the oldest museum building in the south, this coming spring.

–Engage visitors in our center of creativity with world-class exhibitions, lectures and programs.

Lasley Steever, Director of Programs and Events

–Establish an Artist-in-Residence program with outstanding contemporary artists whose work contributes to a new understanding of art in the South.

–Provide great programs allowing visitors to fully engage with the visual arts through lectures, performances, tours, and classes.

Gibbes Museum Distinguished Lecture Series, 2015

Photo by MCG Photography

Jena Clem, Special Events Manager

–Have the museum booked with private events every weekend when we reopen.

–Grow our staff to support the increased programming and events we’ll be offering.

–Be featured as the number one event venue in Charleston, South Carolina/Southeast.

Laurie Clark Wedding photo cred: Whimsey Photography

Photo by Whimsey Photography

Zinnia Willits, Director of Collections Administration

–Execute safe return of 10,000 pieces of art from off-site storage locations to the renovated Museum spaces.

–Harmoniously work with Museum staff and contract crews to unpack the art collection and reinstall in new galleries in an extremely tight time frame.

–Remain calm, cool and collected over the next few months in order to successfully manage all that needs to be managed to reopen of the Gibbes! Eat fewer Tic Tacs to manage stress.

–Celebrate our beautiful new spaces and improved access to the collections in a BIG way once the Museum reopens with interactive, unique behind-the-scenes tours and programs.

–Share the Gibbes success with museum colleagues across the state and the region through continued, active involvement and leadership in professional museum organizations.

Gibbes Collection on the move

The Gift of the Gibbes

I’ve been working at the Gibbes for a little over a year now and I’ve been sharing my love for this fabulous institution with family and friends. I’ve taken my sister to parties and my mom to lectures. I encouraged my niece to take summer camp and some friends to take a studio art class with me. They all loved it! So this holiday season I decided to give the gift of the Gibbes to my Aunt Julie: I bought her a membership to the Gibbes (and a bottle of wine).

Becca and her sister Julie Foster celebrate La Belle Epoque

Becca and her sister Julie Foster celebrate “La Belle Epoque” at the Gibbes on the Street party in May.

Gibbes CFO Jim Dixon, Becca, and her friend Hannah Hosemann, at the 1858 Prize Unveiling Party in September.

Gibbes CFO Jim Dixon, Becca, and her friend Hannah Hosemann, at the 1858 Prize Unveiling Party in September.

Aunt Julie and I are very close. She is my mom’s only sibling, never married or had children, and has always loved to travel. As a young adult she traveled to amazing places with her aunts, going to Egypt, Alaska, Hawaii, France and Italy (to name a few). Over the past few years we’ve started travelling together and have enjoyed visiting museums, among other things, across Europe. Our first travel experience together was while I studied abroad in Venice, Italy. She and my mom came for a week and we had a great time exploring the city and even ventured to a local soccer match. That was an experience. Our next adventure together was to the motherland in Poland with my mom and some of their cousins. We all had a great time eating pierogi and learning the language (or at least trying).

Aunt Julie and Becca enjoying a whisky tasting at the Glenfiddich Distillery in Scotland.

Becca and Aunt Julie enjoying a whisky tasting at the Glenfiddich Distillery in Scotland.

The next year she found a tour to London called “Theatre in the West End” with Road Scholar (if you don’t know, this is a tour company that caters to the retired set). I told her she needed a travel companion and she said she’d love to take me along. We haven’t looked back since! We’ve been on organized tours and also toured on our own to Cornwall, England and Scotland. Most recently we went on a Danube River Cruise which was an amazing experience that took us to Prague, Vienna, and Budapest. The two of us have had a blast tasting regional specialties, admiring old churches, attending performances, exploring grocery stores, and, of course, visiting all different types of museums. Some museum highlights include the London Transport Museum, the Czartoryski Museum in Krakow (home of da Vinci’s Lady with an Ermine), the Culloden Battlefield in Scotland, and the Hungarian National Museum in Budapest.

She has given me so much over the years, especially a taste for adventure, a full passport, and a love for museums. She has shared her passion for travel and many of her travel tips. She has also inspired me to have a very close relationship with my niece, and I hope one day to take her on wonderful trips when she’s older. With everything she has given me, the least I could do was give her unlimited access to one of my favorite places in Charleston.

Becca Hiester, Curatorial Assistant, Gibbes Museum of Art

Art Education for All Ages

After a great summer working with the Gibbes Museum of Art as a Summer Camp intern, I was excited to return as an office intern over the fall semester. Working with Rebecca Sailor, Curator of Education, has provided me with many opportunities to broaden my understanding of the inner workings of a successful museum, and the great lengths this staff goes to in order to provide such stimulating programming to all ages.

Philippe de Montebello speaking at the 2015 Gibbes Distinguished Lecture Series.

Philippe de Montebello speaking at the 2015 Gibbes Distinguished Lecture Series.

A significant highlight of my time at the Gibbes was the opportunity to help with the Museum’s 2015 Distinguished Lecture Series. The Gibbes brought the esteemed Philippe de Montebello, the longest serving director at The Metropolitan Museum of Art, to discuss the multiple lives of a work of art. Being able to take part in such a successful and truly informational event was quite fulfilling. As an Art History student, de Montebello’s lecture was elegant and inspiring to me. Working together to bring events like this to the people of Charleston is just one of the Gibbes’ many efforts to enhance art education in the city.

Naomi Edmundson at John Pope Antiques, Charleston.

Naomi Edmondson at John Pope Antiques in Charleston, SC.

Last week, I was able to take part in The Gibbes’ Art With a Twist: Antique Stroll. Not knowing exactly what to expect, I walked with the group from the lobby of the Gibbes’ new offices (conveniently located across the street from the renovation site) to the first stop—John Pope Antiques. I was pleasantly surprised, as the walls were brightly colored and the cozy space was full of an eclectic collection of paintings, old instruments, beautiful pottery, and antique chests. The tour leaders provided the group with interesting details about several of the objects, and John entertained us with fascinating facts about his collection. I probably could have strolled around the space for another hour pondering the history of all these items, but I pulled myself away and walked down the street to Birlant & Co. Antiques. Although the setup of the space was quite different from John Pope’s, Andy Slotin and team were just as welcoming and were thrilled to show us around. We ended the visit discussing a beautiful silver dining set on display in the shop. By the end of the night, after stopping in several other shops, I couldn’t believe I’d lived in Charleston my entire life and never been inside any of these wonderful places.

George C. Birlant's & Co., Charleston, SC.

Silver Service at George C. Birlant’s & Co., Charleston, SC.

The Museum’s efforts to provide quality art education doesn’t end with intellectual lectures for art history lovers. Art education for children is a great priority at the Gibbes. Working with Rebecca, I witnessed the huge amount of planning, scheduling, and documenting that goes into the Gibbes In-School Programming. The Gibbes offers quite a few In-School Programs for elementary students, such as Art to Go, Eye Spy, and First Steps. Teaching artists visit Charleston County schools and essentially bring the art to the students with hands on projects, followed by a visit to the museum.

Mitchell Elementary students visit the Halsey Institute

Mitchell Elementary students visit the Halsey Institute as part of an Art to Go program.

During the Museum’s renovation, we’ve been lucky to partner with the Halsey Institute, City Gallery, and The Charleston Museum to continue our in-gallery programming. This semester, I was able to observe a group of first graders from Mitchell Elementary on an Art to Go field trip, as they experienced contemporary art at the College of Charleston’s Halsey Institute. The children were beyond excited to be this close to such colorful artwork! With such engaging instructors, the children felt at ease asking questions and describing the artwork in front of their peers. After learning a bit about the two featured artists, the kids walked around the gallery on a scavenger hunt to find repeated motifs in each artist’s work. I was impressed with their understanding of this concept, and took advantage of the opportunity to excite them as they turned to me with question after question about the art.

I’ve definitely enjoyed my time at the Gibbes, both in the camp classroom and behind the desk, and have gained a whole new perspective on the day to day life within a museum. I can’t wait to come back to the Gibbes for its re-opening in the spring!

Naomi Edmondson, Senior at College of Charleston and guest blogger

Professional Development Opportunities: Southeastern Museums Conference 2015

Rebecca Sailor, Gibbes Curator of Education, and Zinnia Willits, Director of Collections Administration at the Museum, attended the 2015 Annual Meeting of the Southeastern Museums Conference (SEMC) in Jacksonville, Florida from October 12 – 14. SEMC is the major regional networking organization for museums and their staff in the southeastern states. Both Zinnia and Rebecca are active members of SEMC, and Zinnia currently serves as an appointed member of the Executive Council and the Annual Meeting Program Committee.

Rebecca Sailor and Zinnia Willits at SEMC 2015 in Jacksonville, Florida.

Rebecca Sailor and Zinnia Willits at SEMC 2015 in Jacksonville, Florida.

This year, Zinnia presented on four different panels at the Annual Meeting on topics including successful federal grant applications, museum insurance, and mid-career transitions. Her session entitled How We Did It: Tips and Strategies for Successful Federal Grant Applications was particularly well attended and allowed Zinnia an opportunity to share her story about the Gibbes recent grant from the National Endowment for the Humanities. As a Council member, Zinnia also participated in a strategic planning workshop related to SEMC’s future growth.

Rebecca was joined by Zinnia, as well as staff from the Columbia Museum of Art and the Booth Western Art Museum for a session entitled Where Did All the Programs Go? The panel focused on the challenges of effective programming when space is limited or restricted, as in the case of a renovation. The Gibbes has made a special effort to keep programming available during our current renovation, while the Columbia Museum of Art is in the preparation stages of its own capital project. The Booth Museum staff shared the experience of providing programming around town in unique venues even before their building opened to the public.

Rebecca also presented with staff from the Cummer Museum of Art and the Reynolda House Museum of American Art on healthcare partnerships with museums. It was a great opportunity to inform participants about the Gibbes Art of Healing program with Roper St. Francis Healthcare, including our hospital lending collection and our public lectures and workshops on the subject. The Reynolda House offers continuing education workshops for healthcare and community service staff. Participants also learned about the partnership between the Cummer and the Mayo Clinic in Jacksonville, Florida, offering programs for dementia patients and physician training; the Art Beyond Sight organization; and other special needs programs.

In addition to their presentations, Rebecca and Zinnia attended many other sessions by their peers to learn what others are doing regarding innovation and engagement. A special highlight was the keynote speech by Nick Gray, founder of Museum Hack, which was a great reminder of why museums are awesome and why what we do matters so much (watch it here).

Unlock the Artist Block

One of the quickest ways to get through life’s challenges is to approach them rather than find detours or shortcuts around them. Eventually, the challenge you’ve avoided will have no other way to go but head on. The way we approach our work is for people to feel comfortable with themselves in mind, body, and emotion to face whatever life has to bring them. And if we have not figured it out yet, eventually we will see life will always have challenges. Life without challenges is not real life. The tools you learn with Charleston Wellness Group (CWG) is to support, simple enough, life.

Phoenix Rising Yoga Therapy
Phoenix Rising Yoga Therapy is a method based on the individual being influenced by their own inner guidance and wisdom instead of what another “expert” has to say. We have a saying at CWG that “you are your own expert and we get out of your way to trust that expert.” Phoenix Rising Yoga Therapy assists individuals in connecting mind and body using embodied movement and mindfulness techniques. The body is a huge part of connecting with the expert in all of us, so we incorporate the body throughout sessions.

Since life is rich with challenges and the goal is not to get rid of them, but to face them, stress is part of the equation. There is such a thing, however, as “good stress.” “Good stress” is the belly motivation that gets you up and out of bed in the morning. “Good stress” can be how you face the challenges rather than avoid. “Good stress” keeps you living life from a more alive and engaged state.

Stress is like a bell curve. You are at risk of either too little or too much. Too little leads to “depressed” state. Too much leads to “burn out” state. What we encourage is for people to become aware of their too little/too much stress-related symptoms and recognize they have a choice with this information. For most who work with us, the first thing that has to happen is they have to realize their relationship to stress. They have to learn what their symptoms are on the bell curve. We are all different. No one person is alike. It is important for individuals to learn about themselves and trust the information their bodies, minds, and feelings are expressing so they can discern and make the right decisions to stay in the optimal state of stress.

Bell curve
Charleston Wellness Group created a program called The Deliberate Method, which combines yoga therapy techniques and self-inquiry with integrative exercises so individuals can actually apply what they learn to their everyday life situations.

The Deliberate Method, is focused on supporting businesses and their employees to mindfully show up to their stress. The material is broken into three methods: Method A- The Skills, Method B- Bridging the Gap Between Body and Mind, and Method C- Living a Deliberate Life. The sections are designed to support thoughtful learning. As we say, “We offer quick information, not a quick fix.” The content, which is audio/video, guided practices, assessments, podcasts, and articles is all less than 10 minutes time commitment. We recognize the power of time and find that unless we can apply what we learn in real time, the value is lost.

Becoming mindful takes patience and continued practice. The practice offered in The Deliberate Method is real-time, life situations rather than pretend. Chances are the skills and lessons, the ah-ha’s and other epiphanies will happen much quicker because they are applied concepts rather than abstract ideas.

Our number one intention is to inspire individuals to want to live a deliberate life, to understand their own true nature, and know they are incredible individuals in a world full of experience. We hope our message and information inspires individuals to want to continue to learn from life and therefore live life fully.

Hallie Buchanan

Hallie Buchanan

 
Lyn Tally

Lyn Tally

Hallie Buchanan and Lyn Tally, guest bloggers and founders of Charleston Wellness Group and The Deliberate Method

CWG founders, Hallie and Lyn, are offering a workshop, as part of the Gibbes Museum’s Art of Healing series, to help participants “Unlock the Artist Block.” The program will be held on Thursday, November 12, from 5:30 – 7:30pm. Visit our website gibbesmuseum.org/events or contact Amanda Breen at 843-722-2706 x221 to register today.

Summer Art Camp from our Intern’s Point of View

Naomi Edmondson-Summer Intern, Senior at College of Charleston

Naomi Edmondson-Summer Intern, Senior at College of Charleston

As a college student majoring in Studio Art and Art History, interning at the Gibbes Museum’s Summer Art Camp seemed like the perfect opportunity to excite young minds with art. Growing up, my favorite teachers were my art teachers, and getting the chance to influence a young child was very appealing to me. The camp instructor for this summer, Leonora Dechtiar, provided campers with stimulating and fun projects to explore their creativity.

welcome to our Art Show!

The first of three camp themes was “Oh The Places You’ll Go!” During these weeks, the campers learned about art from different countries such as Egypt, Brazil, China, Morocco, Australia, and India. We started our day by fastening the seatbelts to our pretend airplane on the classroom carpet and landing in a foreign country. Campers were excited to learn about the different art and cultures of all the places we “visited” before stamping their passports after each journey. Campers’ projects included Brazilian Carnival masks, drums, and maracas, African plaster masks, Egyptian Canopic Jars, Indian Mandalas, Japanese Kites, Chinese Dragons, and Australian Dot Paintings.

summer art camp 2015

Campers working with Acrylic to make their own Chinese Dragons

The second theme of camp was “Stories and Puppets.” During these weeks, campers would listen to stories and create artworks inspired by themes and characters in the story. At the end of the week, campers performed a play of The Rainbow Fish, which featured each camper’s uniquely designed fish. I couldn’t help but be impressed as the kids so excitedly delivered their lines perfectly for the room full of parents.

summer art camp 2015

Rainbow fish puppets

Our last theme of camp, “Art and Movement,” was probably most enjoyable for me personally. Leonora instructed the kids in yoga before each project (which proved to be very beneficial and effective in calming the campers down) to focus them on their artwork. Projects created included foam puppets, needle felting, body tracing, and Jackson Pollock inspired splatter painting (which, I must say…the kids thoroughly enjoyed). Throughout the week, campers practiced their yoga moves set to fun children’s songs, and on Friday they performed these impressive, entertaining yoga dances for their parents.

Summer art camp 2015

Leonora instructing campers in their morning yoga

Throughout each week, the children were thrilled to go on field trips to surrounding areas, such as the multiple art galleries on Queen Street and the Pineapple Fountain. After viewing the artwork on display at galleries such as Robert Lange Studios, Horton Hayes Fine Art, Anglin Smith Fine Art, Valentino’s Pottery, and The Atrium, the kids were noticeably more inspired to spend time creating artwork.

summer art camp 2015

Field Trip to local galleries

Working so closely with children eager to fill their hands with paint or clay or anything else has heightened my interest in the art making process and has reminded me of the childlike enthusiasm that every artist should employ when creating art!

summer camp 2015

Naomi Edmondson-Summer Intern, Senior at the College of Charleston

Art Educator of the Week, Barbie Kratovil

Barbie Kratovil, Eye Spy Art

Barbie Kratovil with Eye Spy Students at the City Gallery

Why is art an important part of learning?

Art is an essential component of the Humanities, and visually integrates the historical, political, religious and commercial morals and values of a culture. It is one of the highest forms of expression in any given period of civilization.

While art can be whimsical, its highest forms are the result of an intellectual process. It’s multi-faceted and an artist, in creating a work of art; employs through his/her technique: logic, spatial relationships, math, science-all of which are building blocks in one’s education.

How long have you been teaching, and why did you get involved in teaching?

I was an Art History major in college and art has always been my great interest. I was a docent at the Metropolitan Museum of Art for 18 years, before moving to Charleston; and have been a docent at the Gibbes for 5 years. The combination of being educated by the curators about their fabulous collections, and in turn, imparting this knowledge to school groups, is rewarding on so many levels.

What is a favorite memory of introducing a student to the arts?

The wonderful moments, which as a museum educator that one cherishes, are when a student looks at a work of art and becomes empowered to explain what they see, why they like or dislike it, and what it means to them.

education

Eye Spy students enjoy a tour of the Gibbes led by a museum docent

Museums are educational powerhouses. Did you know:

  • Museums spend more than $2 billion a year on education. The typical museum devotes three quarters of its education budget specifically to K–12 students.
  • Museums receive more than 55 million visits every year from students in school groups.
  • Museums create educational programs in math, science, art, literacy, language arts, history, civics and government, economics and financial literacy, geography and social studies, often tailored to the needs of state and local curriculum standards.
  • Each year, museums provide more than 18 million instructional hours for educational programs such as guided tours for students, staff visits to schools, school outreach through science vans and other traveling exhibits, and professional development for teachers.

Read the full report about museums and the future of education from the American Alliance for Museums.

To learn more about Gibbes Museum education programs, visit our Gibbes Educators Facebook page.

Early Education and Eye Spy Art

When you observe curious, giggling, fidgeting four year-olds, it’s hard to imagine them as future businessmen and women. But these young minds are absorbing everything around them at a rapid rate and statistics show early education is the key to future academic success. (The young brain forms more than 700 neural connections every second!). However, only 54% of Hispanic and African American students in South Carolina graduate from high school, and more rural “dropout factories” exist here than in any other state in the country. Research shows that the opportunity gap between low and high income students begins before kindergarten and widens over time. This makes early educators a critical first line of defense against educational inequity.

First Steps_Dec_2

Eye Spy students at the First African Child Development Center

The Gibbes Museum of Art has partnered with Charleston County First Steps to introduce preschool children to the fundamentals of art in a hands-on way. Rebecca Sailor, Curator of Education, and a team of teaching artists and museum educators have joined with First Steps Child Development Centers to offer experiences with colors, shapes, lines, textures, portraits, landscapes and pictures that tell a story.

“Gibbes educators and teaching artists are assisting the child care centers teachers on how to use the visual arts to expand their classroom curriculum. They demonstrate using literature, music and theater as well as hands-on art to encourage deeper learning of shape, line and color. The children are now recognizing these concepts in the world around them. Because the Gibbes educators and teaching artists are working with teachers and children on a continuous basis, they are forming relationships and are eager to learn more,” says Mrs. Sailor.

Lorraine Powers, chair of the Charleston County First Steps board and former Gibbes board member sparked the initial idea to encourage more African-American families to engage with the Gibbes museum through Eye Spy, an in-school program originally designed to help Charleston County School District elementary students look at and talk about art. Gibbes’ museum educators work with classroom visual arts teachers throughout the school year, creating interactive lesson plans. Classroom visits, using objects from the Gibbes’ collection, and major artists highlight the elements of art, introduce broad explanations of style, and teach students to compare and contrast.

Mrs. Powers says, “I think it’s really important to expose all young children between the ages of three and five to a variety of experiences. Young children are like sponges and absorb everything. Who knows, there may be a Jonathan Green, Romare Bearden or David C. Driskell amongst them, but first they have to know/see what is possible.”

eye spy students

Museum Educator Elise Detterbeck teaching students about movement

In 2013 the pilot project was supported by the Continental Society, an international public service organization dedicated to the socioeconomic and cultural welfare of underprivileged children and youth, and Charleston County First Steps, who joined forces to provide funding for this endeavor. Charleston County First Steps helps to prepare young children to reach school healthy and ready to learn.  The Eye Spy First Steps program is now offered in seven child development centers including Carousel, Child & Family, First African, Van Buren, New Israel, NIA, and Foster’s led by Gibbes Museum educators and teaching artists.

“The Eye Spy program works with children who are not often exposed to visual art concepts and cultural art pieces. The program expands their world by introducing them to the artworks from the Gibbes Museum, as well as to art concepts in general. It’s been inspiring for me to see the children gain an appreciation for art and the joy it brings them. The children also discover that there is a wonderful art museum in their own city that they never knew about and now can’t wait to visit when the museum reopens! The Eye Spy program is designed in a really fun, engaging way that makes them really want to be part of the world of art,” says teaching artist Leonora Dechtiar.

We look forward to continuing this program and incorporating field trips to the museum when the Gibbes reopens in spring of 2016. Engaging the students with actual works of art allows for a richer experience for these young students. Paintings that have been discussed in the centers will be seen in their actual, full enormity, and richness of color.
Amy Mercer, Marketing and Communications Manager

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