Archive for the 'Events' Category

A Successful Second Year for the Gibbes Art on Paper Fair

After months of preparation, this weekend the museum welcomed more than 1800 visitors for the second-annual Art on Paper Fair. In the days leading up to the event, art work was carefully taken off the walls in the Alice Smith and Garden galleries, and the Gibbes was transformed into a bustling community of artists, gallery owners, art collectors, art experts, volunteers, staff and curious onlookers. Vendors included eight galleries from across the southeast that showcased works celebrating the south and this year, we added new elements including the “Ask the Expert” booth and an Artisan Boutique.

Guests at the First Look Celebration perused the works of art for sale.

Guests at the First Look Celebration perused the works of art for sale.

Thankfully the rain held off and the fair opened on Friday night with the First Look Celebration. Guests enjoyed delicious treats from local food trucks, music and drinks. As a fan of anything with bacon, my personal favorite was the pimiento cheese, muenster, avocado, and bacon on sourdough sandwich made by Cory’s Famous Grilled Cheese. My colleague Justa Debnam of skirt! magazine and Where Charleston agreed. “Attending the party with fellow Gibbes supporters on Friday was extraordinary. It was such a treat to be part of a diverse and passionate group of Charleston’s arts community,” she said.

Food Trucks at the Art on Paper Fair

Food trucks lined up in front of the museum to provide delicious treats for the First Look Celebration.

Making art accessible to the public was the impetus behind the initial Art on Paper Fair. As a relative newcomer to the museum, I wasn’t around for the first fair, and so I asked Pam Wall, Gibbes curator of exhibitions, to elaborate on the intent of the fair. “It’s a good opportunity to learn about and be more comfortable around art. We offer free admission to the Art on Paper Fair in hopes that it will encourage the public to come into the museum to browse through the works on paper and to talk with the gallery owners. The fair helps to eliminate the intimidation factor.” Local artist Jonathan Green agreed, saying: “Works on paper are more affordable and less intimidating and will ignite a whole new culture of collectors.” His booth on the second floor displayed works of art that were twenty years old (and were pulled out of storage for this event!). Green’s early figure drawings are more linear and abstract than his contemporary oil paintings, and provided viewers a unique opportunity to glimpse the evolution of this artist’s journey. “Drawing is fundamental to being a good artist, and I’m glad I was a good student,” he laughed. The John K. Surovek Gallery of Palm Beach was a new addition to this year’s paper fair. Co-owner Clay Surovek, who participates in 2 to 3 shows including Art Basel and the American Fine Art Fair in New York, says these events provide a great opportunity to meet new clients.

Reynier-Llanes-Jonathan-Green-Paper-Fair

Artists Reynier Llanes and Jonathan Green represented Jonathan Green Studios at the Art on Paper Fair.

All weekend visitors strolled through the museum, stopping to browse through the Artisan Boutique and on to the booths where they could ask questions of gallery owners and artists. Erin Nathanson, Arts & Cultural Relations Director for ArtFields, visited the fair over the weekend. “Entering the Art on Paper Fair, I was delighted to see vendors selling handmade letterpress (Sideshow Press and Ink Meets Paper) and bound items for a very accessible price. I began my visit by sifting through many beautiful prints and monotypes—I LOVE being able to handle works and get them so close to my face that I can imagine the smell of ink and other materials through the plastic. My favorite piece was a large wood-cut print by Lese Corrigan! In all, the Art on Paper Fair was a great experience and I hope it expands. I am excited for next year,” she said. After another successful event, we are looking forward to next year’s fair too!

Amy Mercer, marketing and communications manager, Gibbes Museum of Art

Photo credits: MCG Photography

Bringing Music to Life

As the director of Chamber Music Charleston (CMC), I am always looking for new ways to share our music with Charleston audiences. We are most well known for our House Concerts—intimate evenings and afternoons of classical music presented in a private homes—but sometimes we need to do something different, something unexpected… something that will capture the attention of someone new and energize those who already know us.

CMC performs a house concert at The Palmer House on the Battery.

CMC performs a house concert at The Palmer House on the Battery. Jenny Weiss, Frances Hsieh, Debra Sherrill, Timothy O’Malley, Ben Weiss. Photo courtesy of BT Hunter Photography

When the opportunity to collaborate with Laura Ball, Charleston Dance Institute, and the Gibbes Museum of Art presented itself to us, it didn’t take much time at all for me to eagerly accept. You see, while we have collaborated in the past with some incredible local actors for Music and Spoken Word productions and have even collaborated with singers to stage a mini-opera, we have never had the change to combine our music with dance.

Even more exciting, we are not simply preparing music by a standard, great “European Classical Composer”—say, a Beethoven String Quartet or Brahms Piano Quintet. No, for this collaboration we get to bring a brand new piece of music to life. A piece of music that only months ago was a mere though in the composer’s mind but is now a fully orchestrated score, engraved on paper and in the hands of the individual musicians.

CMC cellist Timothy O'Malley

CMC cellist Timothy O’Malley (playing at the SC Aquarium). Photo courtesy of BT Hunter Photography

How does all of the music come together? First, I had to assemble the musicians based on the instrumentation for the work. Laura Ball, our fearless composer and artistic leader, chose an octet for this work: 2 violins, cello, bass, flute, oboe, percussion, and piano. It was not hard at all to find the musicians to fit the bill, as CMC has a fantastic core of local professional musicians to draw from. The CMC musicians performing for this project include violinists Frances Hsieh and Ben Weiss, cellist Timothy O’Malley, oboist Mark Gainer, and flutist Regina Helcher Yost. We added some good friends: Jean Williams on bass, James Cannon for percussion, and Tomas Jakubek for violin, and warmly welcomed composer Laura Ball to play the piano part. This past week each musician received their individual parts and have been charged with learning the notes, dynamics and tempos. On November 5, the real fun begins as we gather together for the first time to read through the music as an ensemble.

CMC violinist Frances Hsieh.

CMC violinist Frances Hsieh. Photo courtesy of CMC

What happens at this first rehearsal? I know the string players will discuss bowings—the direction that the bow runs across the strings. As a wind player (I am a bassoonist), it took me quite some time to realize how important bowings can be, but I now realize that bowings greatly affect the phrasing of a line of music; making some notes stronger than others and helping build and taper intensity to specific notes. Also, if you have two violinists playing the same music, it is nice to see their bows moving in the same directions!

CMC flutist Regina Helcher Yost

CMC flutist Regina Helcher Yost (playing at the SC Aquarium). Photo courtesy of BT Hunter Photography

For the wind players—the oboe and flute—I bet they will be focused on matching articulations (length of notes and attacks of notes) and pitch, and blending their sounds together. The ensemble as a whole will focus on making sure everyone starts every note perfectly together and changes notes at the same time. They will also work as one as they interpret dynamics and musical lines.

The goal of the musicians for this project is to interpret the notes on the page and create the musical story that will accompany the dance. It is an awesome responsibility, but one that each of our musicians take up with great gusto. There is something incredibly exciting about bringing a new piece of music to life, especially when this music is just one element of a bigger project.

I know I can’t wait to see how this all comes together, and I certainly can not wait to see the dance set to the music! It will be incredible!

Sandra Nikolajevs, president & artistic director of Chamber Music Charleston, and guest blogger

The Gibbes Museum is pleased to present a special performance of The Little Match Girl with Laura Ball, the Charleston Dance Institute, and Chamber Music of Charleston.

The performance will be held across the street from the museum at the Circular Congregational Church. Following the performance, the audience is invited to the museum for a meet and greet with the performers, and to see the exhibitions on view.

Purchase tickets online or call 843.722.2706 x21.

Score to Floor

Whew! It is such a relief to see a score fly out the door and into the arms of the orchestra!!

Last night I met with Sandra of Chamber Music Charleston and had a cursory read through of The Little Match Girl score. I am happy to say that two of my favorite themes belong to the cello. Cellists have always had a special place in my life, beginning with Ward Williams who broke my heart every time he played Julie-O by the Turtle Island String Quartet. The piece is so fascinatingly joyful and danceable and I have been in love with the cello ever since. The dancing roast in our performance is dedicated to Ward Williams, who used to play in Charleston with the band Jump Little Children.

Tim O'Malley of Chamber Music Charleston. Photo by Tom McCorkle

Tim O’Malley of Chamber Music Charleston. Photo by Tom McCorkle

The other cello theme represents the Mother figure in the Match Girl story. My boyfriend’s grandmother is a cellist and quite talented. After meeting her, I decided that only the rich, wise and hauntingly beautiful voice of the cello could represent the Motherly presence that so comforts the match girl. We are so excited to hear Tim O’Malley give voice to these two contrasting characters at the performance on November 16th! The cello is such an incredible instrument with a range of emotion, and diversity of character. I look forward to sharing my favorite instrument with you all at the Circular Church—make sure to meet Tim and his cello afterwards at the Gibbes!

Laura Ball, composer and guest blogger

The Gibbes Museum is pleased to present a special performance of The Little Match Girl with Laura Ball, the Charleston Dance Institute, and Chamber Music of Charleston.

The performance will be held across the street from the museum at the Circular Congregational Church. Following the performance, the audience is invited to the museum for a meet and greet with the performers, and to see the exhibitions on view.

Purchase tickets online or call 843.722.2706 x21.

Stroll down King Street on Second Sunday

Second Sunday on King Street is the brainchild of Susan Lucas of the King Street Marketing Group. If you haven’t come downtown for one of these events, you are missing out! With the streets closed off to traffic, King Street is transformed into a European city where strolling is a time honored tradition. Second Sunday draws tourists, locals, children, and even dogs who stroll in and out of delightful boutiques, stop for lunch at some of Charleston’s favorite restaurants, and of course, visit the Gibbes Museum.

King Street Second Sunday

The Gibbes offers three Free-Admission Sundays throughout the year. We have waived admission on select days for many years because it’s a way for us to open our doors and give back to the community. This is the first year that we have partnered with Second Sunday, and we want to encouraging strollers to continue down King Street, through the Gateway Walk next to the Charleston Library Society, and come into the museum.

Mending a Break in a Rice-Field Bank, from the series A Carolina Rice Plantation of the Fifties

Post-Conservation

This Sunday, July 14, visitors will have the rare opportunity to experience the stunning watercolor series, A Carolina Rice Plantation of the Fifties, by Alice Ravenel Huger Smith. This collection is not often on display because of the fragile nature of the watercolors. Curator of Exhibitions Pam Wall wrote an earlier post “A Commitment to Conservation” about the museum’s efforts to restore and preserve the vibrant colors of the watercolor series. In the recent article, “The Quandry of Alice Ravenel Huger Smith” Post and Courier Arts Editor Adam Parker writes, “Smith was a master manipulator of watercolor, creating images, landscapes mostly, influenced by Japanese printmaking and woodblocks and romantic English art that transformed the objects of nature into symbol, myth and memory.” This exhibition will close on Sunday so the free admission day gives visitors a final chance to see the works as a whole.

The Spoleto Watercolors of Stephen Mueller and Carl Palazzolo From the Collection of David and Carol Rawle is on display in the Rotunda galleries, and People’s Choice: A Community – Curated Exhibition is on view in the Main Gallery.

This Sunday we are also excited to offer visitors the chance to meet Monica Karales, widow of award winning photographer James Karales. Come to the Museum Store from 1 – 4pm for a special book signing as Ms. Karales celebrates the release of the book documenting the life of her late husband, Controversy and Hope: The Civil Rights Photographs of James Karales, by Julian Cox with Rebekah Jacob and Monica Karales. Stunning photographs chronicling the Civil Rights Movement were on view at the Gibbes in the recent exhibition Witness to History: Civil Rights Era Photographs by James Karales.

Ms. Johnson (Estelle), 1972, By Barkley Hendricks (American, b. 1945) 

So this Sunday, take advantage of our free admission and stroll through the museum. One of the best parts about my job is that I get to do that on a daily basis. On my way into the office I am greeted by the Veiled Lady. On my way to lunch I walk past Ms. Johnson (Estelle) and on my way home at the end of the day, I pass Persephone bathing in the courtyard garden. I am so grateful to have this opportunity to surround myself with art, and am excited that our free admission days will give visitors that same opportunity. Stroll down King Street this weekend, and come say hello to Ms. Johnson.

Amy Mercer, Marketing and Communications Manager, Gibbes Museum of Art

Upcoming Free Admission Days:
Saturday, September 28, 10am – 5pm: Smithsonian Museum Day Live! Must present pass, available on smithsonianmag.com, to be eligible for free admission.
Sunday, October 13, 1 – 5pm: Second Sunday Free Admission Day
February 9, 2014, 1 – 5pm: Second Sunday Free Admission Day

Join the Gibbes Museum and see the World, or at least Chicago!

This June, I had the pleasure of traveling with a group of about thirty Gibbes Fellows to the great city of Chicago. Because the trip was planned by the Gibbes, the visual experiences were unparalleled. Many people who actually live in Chicago were involved in the planning process, so we visited the typical tourist destinations but also private homes, collections, and clubs. Even when we visited a public venue, we had a customized experience with a tour given by a museum curator or private collection owner.

The Cloud Gate, aka "The Bean," by Anish Kapoor (British (born India) 1954)

The Cloud Gate, aka “The Bean,” by Anish Kapoor in Millennium Park, Chicago.

So where did we go? On the first night we had dinner at an exquisite Art-Deco style private club in River North. The next day was a picture-perfect clear day and we strolled through Millennium Park to see “The Bean” and Frank Gehry’s Jay Pritzker Pavilion and watched the children frolicking in the “Crown Fountain” with the changing faces on our way to our private tour of the Art Institute of Chicago with its new Renzo Piano-designed modern building. We felt at home at the museum because we had lunch at the Terzo Piano restaurant.

Chicago's spectacular skyline, seen from a guided cruise on the Chicago River.

Chicago’s spectacular skyline, seen from a guided cruise on the Chicago River.

People always talk about the Chicago river cruises and there is a reason for that—we went on one and it was amazing—the knowledgeable guide (who is a volunteer docent) gave the background and description of about 50 world-class high-rise buildings that have made Chicago famous. But the day was not over for us, off we went to an elegant private home that housed a collection that rivaled the best of the Museum of Contemporary Art, all described by the knowledgeable owners. Already, we knew, this was not going to be a cookie-cutter, boring trip!

A view of Lake Michigan from a rooftop garden of a private residence.

A view of Lake Michigan from a rooftop garden of a private residence.

A mirrored sculpture installed on a private rooftop garden in downtown Chicago.

A mirrored sculpture installed on a private rooftop garden in downtown Chicago.

On Friday morning, we visited the Museum of Contemporary Art which exhibits thought-provoking art created since 1945—very cutting edge—but then we visited a private home with a rooftop garden featuring a mind-blowing array of art. Needing refreshment, we went to the Arts Club of Chicago for lunch. Although this club is private, there are works by the likes of Picasso, Klee, Matisse, Noguchi, and Braque hung casually on the wall so it is a very special place. Our next visit was a real change of pace—the Driehaus Museum which is a huge late-19th century Victorian mansion, darkly decorated with heavy wood paneling, Tiffany lamps, and highly polished stone. Later that afternoon, we went to the high-end, commercial interior-decorating studio of Suzanne Lovell so that we could learn how to live with all this fabulous art. The day came to a perfect end with cocktails in the home of a member of our group, a beautiful Art-Deco apartment in the Palmolive Building looking out over Lake Michigan and Lake Shore Drive.

The stained glass dome in the Driehaus Museum, attributed to Giannini & Hilgart.

The stained glass dome in the Driehaus Museum, attributed to Giannini & Hilgart.

On the last day, we headed out to the North Shore for house and garden tours. When we started out, it was pouring rain and we imagined that we would view those gardens with our noses pressed up against the windows of the bus. But fortunately, the rain became a mist and we toured a house and garden in Lake Bluff, right on Lake Michigan that housed a museum-quality collection of 17th and 18th century antiques, oriental carpets, oil paintings, and decorative arts—with another section housing Stickley furniture and decorative arts—talk about variety!

whimsical sculpture towers among the tree trunks

A whimsical sculpture towers among the tree trunks in a garden along the tour.

A sculpture bust peeks out from behind a hedge.

A sculpture bust peeks out from behind a hedge.

By this time, we were on top of the world, but there were more delights to come—two more world class gardens and private collections including the Chicago Botanic Garden and a visit to the Lenhardt Library, a horticultural rare book library housing million dollar editions. We ended the day with the best part—a stroll in the garden and a dinner in the handsome Winnetka home belonging to a couple in our group.

Take my advice, if the Gibbes Museum offers another trip—go for it!

Eleanor Hale, Gibbes Board Member, Adventure-seeker, and Guest Blogger

In Union there is Strength: Events at the Gibbes

Gibbes Museum Garden Gallery

Society 1858’s Habanero Rhythm event packed the house.

When I began working at the Gibbes Museum of Art in October 2012, I quickly realized that as an employee, a lot of different hats are to be worn. We are a non-profit after all! Currently, I am the events and rental coordinator for the museum, and I assist in coordinating in-house events and all outside rentals. The Gibbes is such a popular venue with requests ranging from small, intimate gatherings such as cocktail parties, dinners, and business meetings to large wedding receptions, ceremonies, and corporate events. For more than a century, the Gibbes Museum of Art has been a beacon for the visual arts in the Lowcountry region of South Carolina.

The Gibbes consists of a small staff of approximately 20 full- and part-time employees, and at one point or another, they have all assisted in planning a rental. Between our curatorial staff, development team, marketing group, facility manager, and security staff, rentals planned at the Gibbes would not be perfectly executed without the help of my colleagues. We rely on each other to make sure each client is pleased with their Gibbes experience, not only as a museum, but also as a venue.

‘Tis the Season to get Married
Working at the Gibbes has given me an abundant amount of first-hand experiences when planning the bride’s big day. One of my favorite rentals that took place at the Gibbes was Catlin and Chris Whiteside’s wedding reception. Caitlin, an event planner at Calder Clark, was, as you can imagine, highly organized and knew exactly what she wanted. Her husband Chris, aka Whitey, was a joy to be around and brought laughter to every conversation.

Wedding Ceremony in Gibbes Rotunda

A gorgeous wedding ceremony in the Gibbes Museum Rotunda gallery.

Caitlin and Chris hold special memories of the Gibbes as their first date took place in the Gibbes Courtyard, so where better a place to have their reception. The months of planning for their special day came together on Saturday, February 23. Every detail was just as Caitlin had planned, including the miniature putting green built under a side tent as a surprise for Chris. The bride and groom were happy to be married and celebrating with their closest friends and family, even with the torrential downpours that happened that evening.

As Caitlin and Chris were getting ready for their send off, soaking wet shoes and all, they kindly requested a pizza be ordered and sent to their room at Charleston Place Hotel. I got an obvious laugh out of this request, but I was more than happy to make the call to Domino’s. I mean who wouldn’t want to end their wedding night with a hot pizza delivery to your suite?

A Hard Days Night
Being able to connect with different businesses through various Gibbes’ rentals has provided me a large professional and social network. Different companies throughout the nation utilize the Gibbes as a venue for dinners, holiday parties, receptions, etc. Some of these corporate rentals have brought the Gibbes new members. Recently, we were fortunate to host Carriage Properties, a longtime supporter of the Gibbes. They held a large party attended by more than 300 people that included clients and friends.

Gibbes Courtyard Family Circle Cup event

A sponsor event during the Family Circle Cup, featuring the Lee Brothers, in the Gibbes Courtyard.

The doors could not have opened any sooner as guests waited patiently to enter the Gibbes. Carriage Properties and Gibbes’ guests filed in for the mix and mingle. New homeowners to Charleston were pleased to have an opportunity to visit the museum and learn about its many programs and events. And, many people, longtime Charlestonians had not visited the museum in a while and enjoyed their return.

A Historic Venue
The Gibbes Museum of Art is the Lowcountry’s leading cultural institution, the premier collection of art focusing on the American South, a dynamic resource for visual learning, and one of Charleston’s most beloved and distinguished landmarks. The exceptional education programs at the Gibbes preserves and promotes the art of Charleston and the American South. Between art lectures, performances, and fundraisers, the Gibbes calendar has a busy event schedule. Along with the Gibbes events are the booming rentals which bring in an additional 700 guests per month and serve as an additional revenue source.

Gibbes Museum Courtyard, Art of Design event

The Art of Design luncheon and lecture in the Gibbes Courtyard.

I hope you will consider the Gibbes Museum as a rental for your next event. I am always available to assist in your planning needs. Please feel free to contact me at jclem@gibbesmuseum.org.

Jena Clem, Events & Rental Coordinator, Gibbes Museum of Art

Download a PDF of our Rentals brochure for more information about making the Gibbes Museum of Art the location of your next great event!

A New Twist on Art Programming

“So… what exactly is exciting about a museum?” I get that question a lot when I try to explain to people what keeps us on our toes here at the Gibbes Museum. I explain that several factors make the Gibbes a fun place to visit and become involved with; a relevant and beautiful permanent collection, new and thought provoking exhibitions, and exciting programs and events. All of these elements support one another, but our programming is especially inspired by the art displayed within these walls. The Gibbes is constantly planning new events for the community to become involved with, the most recent being the Art With a Twist event series.

Executive Director Angela Mack gave a lunchtime lecture.

Executive Director Angela Mack gave a lunchtime lecture on Impressionism and Charleston in January.

Launched in the fall of 2012, Art With a Twist is a series of events aimed at introducing new and varied experiences for all members of the community. The series kicked-off in November with a wine tasting and lecture by Mike Cohen, owner of Goat. Sheep. Cow. With close to 100 visitors in attendance, guests were in for a treat as Cohen explained the art and design behind wine labels and artistic depictions of wine consumption through the ages. A few weeks later in December, the Lower King Street Antique Stroll led visitors on tours of several beautiful antique shops along King Street. These tours were led by interior designer Kathleen Rivers, and fine and decorative art appraisers Elizabeth Ryan and George Reed. Having a chance to explore these shops with such knowledgeable tour guides, made for a wonderful and exciting evening! To close out January, nearly 80 guests enjoyed a catered lunchtime lecture from Executive Director Angela Mack who discussed Impressionism and Charleston. In February, creating a new twist on the idea of a field trip, a group of 40 participants visited the stunning Impressionism exhibition now on view at the Columbia Museum of Art, Impressionism from Monet to Matisse. The day concluded with a lovely lunch at the Palmetto Club just down the street.

Gibbes on the Go traveled to the Columbia Museum of Art.

Gibbes on the Go traveled to the Columbia Museum of Art for a curator-led tour of their Impressionism exhibition.

The key to any series of successful programming is to appeal to a broad audience and give people opportunities to experience something they might not otherwise be able to plan on their own. Each Art with a Twist program was planned to introduce new topics not previously discussed or experienced at the Gibbes Museum, and to bring in those within the community who may not have much prior connection with the museum. Two more programs are still ahead for this spring, a Jazz lecture and performance on April 11 and a lunchtime lecture on mixing antique and contemporary furnishings with author Susan Sully on May 20. More events are in the works for the summer and fall, including celebrity cookbook author Alex Hitz and a holiday children’s program in November. Keep checking back to the Gibbes’ calendar page for updates and to purchase tickets to any of these events.

Amanda Breen, Membership Coordinator, Gibbes Museum of Art

Kiawah Residents Open Homes to the Gibbes

The thirteen-annual Kiawah Art & House Tour, sponsored by the member auxiliary group, Gibbes, etc., will take place on Friday, April 5, 2013, from 1 to 5pm. We will have five fabulous homes within the gated community to tour. This may be the “The Year of the View” as most of the homes have stunning views that are not to be missed. Proceeds from the event benefit education, exhibition and outreach programs at the Gibbes Museum.

Kiawah Art & House Tour

The footprint of this home follows a 180 degree arced shoreline of a lagoon, which appealed to the homeowners’ desire for curving design elements throughout the house.

Kiawah Art & House Tour

Influenced by the British Arts and Crafts movement of the early 20th century is a lovely stucco cottage at the Cassique golf resort on Kiawah Island.

We have been so fortunate to have lovely weather on the day of the tour and we are hoping for that to happen again this year. There is one home on the tour I am dying to show my husband. From the “man cave” to the indoor theater, to the fabulous car collection, he will be amazed!

Kiawah Art & House Tour

A sweeping staircase welcomes visitors to this home with expansive views of the Kiawah River and marsh.

An added attraction this year is that we will two local artists, Anna Cox and Mark Horton. Each has donated a painting which will be available to bid on during the House Tour. Instructions on how to bid can be found on the Gibbes, etc. website. Several of Anna’s paintings will also be on display at one of the featured homes.

Kiawah Art & House Tour

Overlooking the 15th hole at the Cassique golf course, this beautiful shingle style home is inspired by the English Arts and Crafts movement of the early 20th century.

I have been involved with the tour for the past five years in a number of positions ranging from a docent to ticket chair. For the past two years, I have been the publicity chair which I particularly enjoy because it gives me the opportunity to work closely with staff at the museum in addition to all of the merchants at Freshfields Village. In addition to the house tour, we are inviting all ticket holders to come out early on the day of the tour and enjoy shopping and dining at Freshfields Village. The merchants will be offering discounts and drawings so it is well worth your time to come early and enjoy the island before the tour!

Kiawah Art & House Tour

Standing on a small peninsula with 250 degree views of marshland and the Kiawah River is a gorgeous zinc-roofed shingle style home.

Tour tickets are $55 and can be obtained by calling 843.722.2706, ext. 21, or purchased at one of the three real estate offices located on the island at Freshfields Village, the Main Gate or at the Sanctuary Hotel. They can also be purchased downtown at the Gibbes Museum Store. We hope to see you there!

Carroll Dunn, Kiawah Art & House Tour Publicity Chair, and guest blogger

All photos by by Tina Schell.

Art of Design: Luncheon, Lecture, and Auction!

Cathy Horyn, fashion critic for The New York Times. Photo by Elizabeth Lippmann.

Cathy Horyn, fashion critic for The New York Times. Photo by Elizabeth Lippmann.

Everyone at the Gibbes Museum is excited in anticipation of the Art of Design Luncheon & Lecture that will be held in the tented museum courtyard on March 15 at 12:30pm. The Women’s Council presents this annual fundraiser in support of the museum’s exhibition and educational programming. This year’s featured speaker is the internationally known fashion critic for The New York Times, Cathy Horyn. Ms. Horyn is known for her say-it-like-it-is writing style in the On the Runway style blog and in feature fashion articles for The New York Times. In 2002, Cathy received the Eugenia Sheppard Award by the Council of Fashion Designers of America, and Scene Magazine recently referred to her as “The Most Fearless and Feared Woman in Fashion.” Her presentation—fresh from the runways of New York City, Paris, and Milan—promises to be stimulating and entertaining.

An added attraction at this year’s event will be a silent auction that includes paintings and jewelry donated by local artists, as well as fashions from Charleston retailers, and a wonderful Italian leather desk ensemble. The auction begins at 11am and will conclude at noon. We invite you to take a moment to view the items that will be available for bidding by clicking on the images below for details and bidding information in advance of the event.

Luncheon tickets are $125 each, and are available by calling Amanda Breen at 843.722.2706 Ext. 21 or by visiting gibbesmuseum.org/events. I hope to see you there!

Joyce Hudson, Art of Design event chair, and guest blogger

Society 1858’s Winter Party: Habanero Rhythm!

Habanero Rhythm

How do you capture the essence of something like artist Jonathan Green’s personal art collection and translate it into a party? A collection which Green and partner Richard Weedman have spent the past thirty years curating? A collection that includes works from around the world by artists from Cuba, Africa, the Caribbean, Latin America, and North America? Well, you put together an experience that incorporates the cultural milieux of all the native lands from which the works come. Imagine drummers drumming on the front steps of the museum; vintage autos lining the street; a well-heeled champagne-mojito drinking crowd filtering in to find a Garage Cuban band playing funky beats; a Latin Jazz trio in the groove; and an explosive performance by a West African drum and dance ensemble. You serve traditional cocktails, and hors d’oeuvres inspired from those regions, and create a décor element to complement it all. What am I talking about? Habanero Rhythm, of course.

Jonathan Green and Richard Weedman

Jonathan Green and Richard Weedman at their home. Photo by Julia Lynn.

Okay, I should back up. I am the co-chair for the winter party hosted by the Gibbes Museum’s Society 1858 auxiliary group, and it’s based on the current exhibition VIBRANT VISION: The collection of Jonathan Green and Richard Weedman. We’ve named our event Habanero Rhythm and created an experience that we hope speaks to the cultural heritage of many of the artists included in the collection. But it’s more than that. We’ve actually had a chance to meet and get to know Richard and Jonathan, and to go to their home and see their collection. This party is for them and to honor the generous and giving spirit with which they share their love of art with anyone and everyone—we are trying to do them proud!

Luce e Colore pictures

Last February’s party, Luce e Colore, was a sold-out smash success! Photos by Fia Forever Photography.

I don’t want to give away all our little surprises here… just to say the event is going to be awesome. Buy your ticket. Today. I know many of you have (hopefully) been to a Society 1858 event, so you already know the careful thought and planning that goes into them. Each one uniquely based on a current exhibition and the inspiring personality(ies) behind it. With the artists and collectors themselves at each party, these celebrations are a chance to meet and talk to the people in the art world who make it happen. And on top of all the important art-world relevance, they are FUN. See you Friday, February 8th, for Habanero Rhythm!

Margaret Seeley Furniss, co-chair of Society 1858’s Habanero Rhythm, and guest blogger

To purchase tickets to this event, visit gibbesmuseum.org/events.

Watch videos of past Society 1858 events: Bitters & Twisted in the Salon d’Orleans and Luce e Colore: La Bella Notte Italiana

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