Search Results for 'Art to Go'

Art to Go at Angel Oak Elementary School

This semester, I have been working with Megan Sweeney’s Angel Oak Elementary School classes on a project called “Going the Distance for the Arts.” It is a wonderful feeling to go into a classroom and see how excited students are over creating something that is their own, as well as collaborating on a larger project together. As an introduction to the Gibbes Museum, classes learned about the bust of George Washington, sculpted by Giusepe Ceracchi ca. 1792, and the importance of a portrait. The students learned how to draw a self-portrait and to translate onto paper what they see in 3-D.

As a school, we are creating a large owl sculpture of the Angel Oak mascot that will be displayed on the route of the Charleston Marathon. Students learned how to make a relief print using recycled materials and created feathers for the owl using this technique. The 4th and 5th graders helped make the owl form and assemble the feathers. They also designed a large mural as a background for the sculpture.

The marathon installation goes up on Friday, January 18, and can be viewed during the marathon on January 19 in the expo center. The marathon takes place in downtown Charleston, and raises funds to support fine arts programs in our community schools.

In addition to the classroom activities, I have been meeting with the Art Club at Angel Oak. Each member received his or her own sketchbook and we discussed the importance of drawing from life, from your imagination, and from words. We have been writing about our work as well, as an exercise to examine the connection between visual art and the written word. I find each of my encounters with the students so inspiring.

Kristen Solecki, Teaching Artist and Guest Blogger

Learn more about programs for K-12 students at the Gibbes on our website or by contacting Rebecca Sailor, Associate Curator of Education, at rsailor@gibbesmuseum.org.

Read about another Art to Go—Charleston Marathon collaboration on our blog.

Art to Go Lands at Mt. Zion Elementary

The Gibbes Museum provides in-school art education through a program called Art to Go. We send teaching artists into the classroom to work on hands-on art projects inspired by the Gibbes Collection. This week, I took a trip to Mt. Zion Elementary School to visit artist Julie Weinberger and the first and second graders enrolled at the school.

This is the second year the Gibbes has brought Art to Go to Mt. Zion Elementary. Every Tuesday and Thursday, Ms. Weinberger works with the students in order to enrich their art education experience. During my visit, the first graders had a lesson on Leo Twiggs—a contemporary artist who paints using an innovative batik technique—and were busy creating simplified batik projects. The Second graders learned about Romare Bearden—best known for his richly textured collages—and were creating their own collaged artworks using the first letter of their first name.

In addition to viewing images from the collection in their classroom, the Art to Go program at Mt. Zion Elementary will bring the students to the museum to see the works by these artists (and more) in person! It is always a pleasure to observe the students at work in their own environment. Then, when I get to see them at the museum viewing the works they have studied it is even more enjoyable.

—Rebecca Sailor, Associate Curator of Education, Gibbes Museum of Art

Learn more about programs for K-12 students at the Gibbes.

Art to Go Exhibition

Today is the opening day of our special Art to Go exhibition, featuring work created by students at Mt. Zion Elementary School. Over the course of the 2009/2010 school year, the Gibbes Art to Go program, led by teaching artist Martha Criscuolo, visited Mt. Zion on Johns Island every Thursday. This special partnership was designed to introduce students in grades 1-5 to both art history and studio art, while using the Gibbes permanent collection and special exhibitions as sources of inspiration for their own artmaking. Culminating their year of study, this special exhibition features works created by the students. Each student chose one artwork that they felt best expressed them for the exhibition. The exhibition will be on view through this weekend—we hope to see you at the Gibbes!

 Want learn more about the Gibbes Art to Go program? Contact Rebecca Sailor at (843) 722-2706, ext. 41.

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Art to Go at Mt. Zion Elementary

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Each Thursday during the school year, Teaching Artist and Museum Educator Martha Criscuolo leads Art to Go at Mt. Zion Elementary School on Johns Island. During the program she instructs students in grades 1-5 on a variety of art projects. These particular photos are from a paper mache project with 4th and 5th grade students. The project was included in a lesson on folk art based on the Ancestry and Innovation exhibition hosted by the Gibbes this past summer. In addition to classroom sessions, students visit the Gibbes as part of the Art to Go experience.

 To find out more about Art to Go, click here or contact Rebecca Williams at (843) 722-2706 x41 or rcwilliams@gibbesmuseum.org. IMG_1971

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The Art of Spinning Yarn, a Museum Educator’s Ongoing Education

I started volunteering with the Gibbes almost five years ago after getting a master’s degree in art history. Since then I’ve worked on numerous projects in the curatorial department, helped with art camp one summer, and become a museum educator. While not at the museum, I work at a local stained glass studio, Blue Heron Glass, where I teach and create unique works of glass art.

Davidson Hall

Davidson Hall is the building our classroom was in, as seen from the Herb Garden Path.

I was able to combine my interests in art and education, including my obsessions with knitting and yarn, on my recent vacation to the John C. Campbell Folk School in North Carolina. I took a week-long spinning class (spinning yarn, not bicycles) with a good friend and we stayed at one of the school’s houses. Neither of us had ever spun yarn before, but we were both excited for the challenge. The school is located in the mountains in a small town called Brasstown, NC, very near the Georgia and Tennessee borders. They offer classes all year long and in many different topics like fiber arts (spinning, knitting, weaving, quilting, etc.), blacksmithing, pottery, writing, painting, woodturning, music, and other folk arts.

It was like stepping into a different time and onto a slightly different planet. Upon checking in, we learned that there were no keys to the rooms and while our linens were provided, we had to make our own beds. Meals were included with our board and all the dining was family-style where we served ourselves and bussed our own tables. It was camp for adults (although they welcome young ones to the school).  Much of the food was grown in the school’s gardens and they baked most of the bread there. There were numerous paths and trails on the grounds, and we enjoyed walking through the woods and fields of the school.

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Spinning Class shows our set-up with the wheels and fleece.

Our spinning instructor was from Boulder, CO and there were people from all across the country in our class. We started by discussing how to prepare a fleece directly from the sheep and moved on from there. Over the course of the week we spun yarn from five different breeds of sheep, cotton, silk and commercially available roving. We learned about different types of spinning wheels and even played a little with drop spindles. We played with hand carders, drum carders, long combs and all sorts of other tools that looked like torture devices. The most exciting and crazy thing we tried was spinning cotton thread directly from unprocessed cotton bolls. One afternoon we took an impromptu field trip to a local sheep farm.

Along with the classes they had activities in the evenings like demonstrations from other classes, a contra dance, and a concert on Friday night. Every morning there was “Morning Song,” a 30 minute session of blue grass music and storytelling. There was a fabulous craft shop just under the dining hall that featured goods made by various teachers at the folk school and a book room. Meal times were also a treat because we met interesting people from other classes. Some students were learning totally new skills, like us, while others were taking intermediate or advanced courses.

Overall, it was an amazing experience and I can’t wait to go back. It was such a pleasure to see so many dying arts and crafts alive and well at the folk school and I realized that there are so many other things I want to learn. I just need to figure out what to make with all my hand-spun yarn!

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“Mountain Beard” shows my love of fleece!

Rebecca Heister, Museum Educator and Volunteer

Art of Healing Presents: Flower Power

Our December Art of Healing program presents Flower Power with floral design experts Gretchen Cuddy of Gretchen Cuddy Floral Designs, and Clara Varga-Gonzales of Tiger Lily Florists. Flowers have a powerful impact on the senses and can communicate a variety of sentiments. Gretchen and Clara were kind enough to answer questions about their philosophy of floral design in preparation for this event. Learn more from this talented duo on how horticulture enhances health and healing with moderator Dr. Jeb Hallett on December 10 at 6pm. The Thomas Bennett House will be decorated for the holidays—join us for this festive affair!

Thomas Bennett House

The Thomas Bennett House decorated for the holidays

Tell me about your background with floral design. When did you begin working with flowers and how has your work evolved over the years?

(Gretchen) My floral background started in college when I took a watercolor painting class, I would often create floral still life arrangements for the class to paint. Color combinations and the use of varied greenery and unique vases was a big part of the process. The use of texture and the contrast of natural elements in an arrangement have always interested me; it makes the final creation less expected to the viewer’s eye. Over the years, I have spent quite a bit of time working with florals for churches and sacred spaces. Presently, I create arrangements for numerous events in Charleston and love to use local plant materials to evoke a relationship with the beautiful Lowcountry.

(Clara) I started working with flowers 18 years ago. My husband and I bought Tiger Lily florist in 1996. Weddings are always evolving depending on what the style is at the time. Our goal has always been to have big bright flowers in arrangements. American send much fewer flowers than Europeans do. It’s just not our tradition as much as it is overseas to have flowers on a daily basis. Therefore it’s very important for us to carry flowers that have a long vase life so that the consumer feels like they received a good value.

Flowers by Tiger Lilly

Flowers by Tiger Lilly

What is it about working with flowers that is healing for you?

(Gretchen) I find that when I am working with flowers I can allow myself to be as creative as possible. It is almost like an out of body experience for me at times, and is better than any therapy. I can completely forget my troubles and transport myself into another world where the beauty of an arrangement gives me the greatest joy. It is self-healing in a way that is very personal.

(Clara) I think working with flowers in the flower shop is a different dynamic then working with flowers at home. When I work with flowers at home it’s more relaxing for me because there’s not the stress of getting it right for the client or making sure that the flowers are the correct shade or variety. There also isn’t the pressure of time constraints and delivery complications as far as transportation.

What are your favorite flowers to work with? Are there some types of flowers that are your least favorite?

(Gretchen) My favorite flowers to work with are sunflowers. I love the contrast of the yellow petals against the dark brown center. I almost always have a bouquet of them in my kitchen….they just make me smile. My least favorite flowers that I honestly cannot use are the ones that have been artificially dyed. It is simply a violation of nature and denies the flower its true color and beauty.

(Clara) My favorite flower to work with has always been tulips. I had tulips at my wedding and I enjoy them so much because they don’t need a lot of design and they continue to grow even after they are cut. Peonies remind me of my father, but they are not always available. My least favorite flowers have always been the more common ones such as statice and Alstromeria, although I do like daisies and carnations.

Describe your creative process. Do you begin with a color or type of flower in mind? Or is more about a client’s preference?

(Gretchen) My creative process to begin an arrangement consists of several variables, namely the season, the style of the event, the budget. From there, I select the vase or container to compliment the overall design, and then work to define the line and scale of the arrangement. I love going BIG with arrangements and I always remind myself to try and keep that in check as sometimes a smaller arrangement is really what is needed. In the end, I personally have to be satisfied with the final product before I can part with it.

(Clara) If the choice is up to me I prefer to work with 5 to 7 different types of flowers, each with different texture and shapes. I’ll lay them all out in front of me and then create the arrangement in my mind based on the shapes and sizes that I have to work with.

Gretchen Cuddy flowers

Flowers by Gretchen Cuddy Designs

Why do we give flowers to people for happy and sad occasions? Weddings and funerals?

(Gretchen) The gift of flowers to someone shows that you care. It also shows that you are not afraid to live in the moment, because as we all know, flowers do not last forever, so an arrangement of flowers allows one to stop if only for a moment to appreciate the beauty that flowers bring no matter what the occasion, happy or sad.

(Clara) Studies show that living with flowers strengthens our feelings of compassion and decreases our anxiety and worry. I think that especially for funerals it’s important for families to receive flowers in their home. They spend a lot of time in their homes after a loved one has passed, and it can have a positive impact on their mood. When we do flowers for a wedding it’s almost as if once the flowers have been delivered and the reception and churches are set, that’s when the festivities can begin. My brides have always realized the implication of what’s about to happen once the flowers have arrived. That’s when they start crying. There’s some sort positive energy that comes from flowers and live plants!

Art of Healing: Flower Power

Wednesday, December 10, 6pm

 $20 Members, $30 Non Members

Location: Thomas Bennett House, 69 Barre Street

To purchase tickets, please visit gibbesmuseum.org/events or call 843.722.2706 x21

Roper logoSponsored by Roper St. Francis Foundation

Amy Mercer, Marketing and Communications Manager

Art with a Twist presents, Unexpected Treasures

Reinterpreting the past for today’s home and garden. Architectural salvage, antique decor, iron work, garden elements, and much more than we can describe!

2014 Charleston Symphony Orchestra League's Annual Designer Showcase

2014 Charleston Symphony Orchestra League’s Annual Designer Showcase, Master Bedroom

Jeff McKinney and Randy Grussing embrace a ‘fearless use of color’ in their designs. This attribute was on display in the vibrant master bedroom in the 2014 Charleston Symphony Orchestra League’s Annual Designer Showcase. As first time participants in the event, the dynamic duo endeavored to create a spectacular room for guests. The palette of the bedroom was inspired by a lowcountry sunset. “We were driving over the James Island connector one evening and the horizon was saturated with violent streaks of plums and paprika,” Jeff explains. American Gothic Revival Philadelphia gate posts from the 1850’s were transformed into bedside lamps, and a pair of marble topped tables with wrought iron bases were such a hit that they sold the second day of the show. Their design, titled Charleston Indochiene, received the Viewer’s Choice Award. When asked why he thought the room was so successful Jeff explained that the color combinations are unexpected and inviting. It was a room that looked lived in with furniture that was built to last.

These color combinations and customized furniture creations are on display in the showroom Circe on Saint Andrews Boulevard in West Ashley. A visit to the showroom is a sensory delight filled with lush fabrics, one-of-a kind antiques, and 19, 20, and 21 century items for the home. Jeff and Randy also own Architectural Antiques and Design, which is just down the street from Circe and is more of a warehouse where clients can discover hidden treasures.  “People will find ideas at Circe and the raw product at the warehouse,” Jeff explains. Working one on one with clients, they customize pieces that reflect the client’s personal style and offer designer fabrics at affordable prices.

AWAT Unexpected Treasures

Antique lamps ‘repurposed’ by Jeff and Randy

A team of locally sourced, skilled blacksmiths, lamp smiths, and upholsterers repurpose and update the antiques. Randy explains that, “what you live with has to change as you change.” He adds that we just don’t have the quality craftsmanship anymore, which is part of the reason he and Jeff work to educate clients about the value of pieces and the potential for modification. They feel that many people today have a disposable cultural sensibility. This belief in the intrinsic value of products from the past is reflected in the delicate curves of a settee, the smooth texture of a wooden dresser, and the summer blue spot of turquoise on the lamps in the corner. These are unexpected treasures indeed!

Architectural Antiques Vignette

Architectural Antiques Vignette, designed by Jeff and Randy

Join Jeff and Randy at Circe and Architectural Antiques & Design on Thursday, November 13 at 6pm for Unexpected Treasures: Re-designing Artful Artifacts. They will lead guests on a tour through the showroom and warehouse and share their expert tips on reinterpreting the past for today’s home and garden. A reception will follow.

Location: 903-C and 1011-A Saint Andrews Boulevard, next to Hambys. Limited parking is available at both locations so carpooling is suggested.

$20 Members, $30 Non-Members

To purchase tickets please visit gibbesmuseum.org/events or call 843.722.2706 x21.

Photos by Holger Obenaus
Amy Mercer, Marketing and Communications Manager

Art of Healing through dance, architecture, and flowers

The Gibbes Museum takes pride in the community partnerships that we’ve established over the years. An example of this is our involvement with Roper St. Francis Healthcare through the Art of Healing program. Established in 2012 by Gibbes Board Member and Roper St. Francis surgeon, Dr. Jeb Hallett, the Art of Healing explores the connections between art, personal well-being, and healing through panel discussions, workshops, and an art lending collection for Roper St. Francis Rehabilitation Hospital patients. “Art can help transport a patient’s attention away from their pain or condition to produce more positive emotions” says Dr. Hallett. Now in its third year, the program continues to expand with more workshops, conversations, and artists. To learn more about the Art of Healing lending program, enjoy this youtube video created by Roper St. Francis staff, Shane Ellis.

The next Art of Healing conversation will take place on November 4 at 6pm at the Circular Congregational Church  at 150 Meeting Street. This panel discussion will focus on how architecture and the spaces we build and inhabit can lead to healing and well-being.  Expert panelists include the Georgia Trust for Historic Preservation Senior Director of Properties, and Hay House Director, Jonathan Poston, and Ray Huff, Director of the Clemson Architecture Center who will join Dr. Hallett for this moderated conversation.

Hard Light in Trumbo Street, 1934

An example of Charleston architecture by artist Prentiss Taylor

 

Dr. Hallett will ask probing questions such as: why have certain elements of architecture remained critically important over time? Why is light important to well-being, and how does certain forms such as Palladian windows and columns persisted over time? (The original term for a Palladian window is a serliana (or a Serlian Motif).  It is an archway or window with three openings, the central one arched and wider than the flanking openings (which were rectangular and enclosed at the top by an architrave). The Italian Renaissance architect/master builder, Andrea Palladio, 1508-1580 popularized this architectural motif.) The panelists will discuss Charlestonian architectural styles such as the Single House to examine the ‘health benefits’ of this design. The Art of Healing discussions include interactive discussions with the audience, which are always engaged and intimate.

This is sure to be an interesting and lively discussion, and a cocktail reception will follow the discussion.

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Flowers by Gretchen Cuddy for the 2014 Art of Design luncheon

One December 10 at 6pm, the Art of Healing: Flower Power will be held at the Thomas Bennett House on 69 Barre Street. Dr. Hallett will be joined by floral design expert Gretchen Cuddy as well as Clara Varga-Gonzales of Tiger Lily Florist. Cuddy and Varga-Gonzales will discuss why flowers and horticulture appeal to our senses and discuss why implementing natural elements in the home and other buildings can promote well-being.
Amanda Breen, Membership Coordinator

Marketing and Public Relations in the Art World

Interning for the Gibbes Museum of Art this summer has been the experience of a lifetime. Not only did an incredible museum and staff surround me, but also I was able to confidently declare Public Relations as my dream occupation. I was fortunate enough to work for Amy Mercer, the Marketing and Communications Manager at the Gibbes, in assisting her during this exciting time of change for the museum. Mrs. Mercer informed me early on that this summer would be a different internship experience than those from the past, due to the upcoming 16-month renovation. However, this period of transition was the perfect time for me to learn more about marketing and public relations in the real world.

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Marketing Intern Rose Cochran with her favorite painting by John Westmark, The Catch

My initial tasks included updating Facebook posts, taking pictures for Instagram, and creating a Vine account for the museum. Shortly after I was organizing press releases, promoting events, and attending branding workshops, all of which were fantastic learning opportunities. Because the Gibbes Museum is a non-profit organization, support from the community is a necessity. I watched Mrs. Mercer work endlessly and passionately to promote the museum in a positive way during this exciting time. My eyes were opened to the influence that each word has in an organization’s mission statement. These messages are chosen carefully in order to fully exemplify the organization’s goal. I was lucky enough to observe this process during a crucial time and assist the staff in researching a branding strategy for the Gibbes Museum.

During this internship I also learned that event planning is a critical component of public relations. The two departments work together in order to involve the community and benefit the museum. The programs and events that the Gibbes offers are all unique, educational, and fun. These events are constantly celebrating local talent and inviting the public to join in. With each program, the Gibbes creates a stimulating event that always affects the community in a positive and uplifting way.

Art of Healing with John Westmark

Art of Healing discussion with John Westmark

One of my favorite programs currently offered by the Gibbes is the Art of Healing, sponsored by Roper St. Frances Healthcare. This program is paving the way for people to understand the influence that art can have during a healing process. The Gibbes has created a lending collection of 22 paintings, currently being used at the Roper Rehabilitation Hospital. Local artists have donated these works for hospitalized patients to hang in their rooms during their stay. The hope is that these paintings will provide relief to the distressed and facilitate their recovery process. The Gibbes also offers panel discussions with local doctors to speak about current exhibitions, and how art can benefit us in our daily lives. My exposure to the Art of Healing began with an informative and inspiring panel discussion with artist John Westmark. Psychiatrist Linda Austin and Dr. Jeb Hallet discussed the art of healing in relation to Westmark’s exhibit Narratives earlier this summer. Not only is the Gibbes  providing the city of Charleston with a beautiful museum full of wonderful history, they are also providing an outlet of relief through art.

The Gibbes Museum of Art will continue to grow, inspire and change lives. The upcoming renovation will provide the public with a creative learning center while remaining an establishment that cherishes the community and Charleston’s history. I feel incredibly proud and accomplished to have interned for such a remarkable organization and I wish the museum all the best in the years to come.

Rose Cochran, Rising Sophmore at Sewanee, Marketing Intern, and Guest Blogger

The Art of the Sea with Val Kells

Marine Science Illustrator Val Kells is an ‘obsessive compulsive’ fisherman. A photo of Kells on her website shows her proudly displaying a Permit that she caught off Cudjoe Key in 2011. “I take a photograph of every fish I catch before I release it,” she says.

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Marine Science Illustrator Val Kells at home on the water

Kells is a full-time, highly trained, freelance scientific illustrator with over 30 years of professional experience. She works closely with educational, design, and curatorial staff to produce accurate and aesthetic scientific and interpretive illustrations. She has created over 2,000 illustrations for a wide variety of clients including publishers, designers, master planners, museums, nature centers, and public aquariums and is the coauthor of A Field Guide to Coastal Fishes – from Maine to Texas. “This comprehensive guidebook to all of the fishes found along the Atlantic and Gulf Coasts should become an integral part of the library of any naturalist, angler, or fish enthusiast,” says Edward O. Murdy, National Science Foundation.

Val Kells Book Cover

A comprehensive guide book to coastal fishes

She is currently working on the Pacific coast version which will include close to 800 species and will be published in the spring of 2016. These comprehensive books are used in classrooms, labs, and on boats by students, scientists, and nature lovers. “I love when people send me photographs of themselves on a boat with a fish in one hand and my book in another,” she says. Kells says her work is ongoing and she will unlikely run out of subjects to illustrate.

Kells’ research is meticulous and each illustration can take up to a full day to complete. She works from her studio in Virginia with the support of an extensive network of associates and colleagues across the country.  She begins with a preliminary pencil drawing to ‘work out the kinks’ paying close attention to the morphology of the species from the number of scales to the placement of fins. When she is satisfied, she transfers the drawing to watercolor paper and begins to paint. “I go into a Zen mode at this point. I turn on some Bruce Springsteen and paint until it’s done.”

Kells began drawing as a very young girl in Rye, New York, and studied art throughout high school. “I also had a deep love of the natural environment from the time I was young. And when my parents sent me to a summer camp in the Florida Keys, I decided that I wanted to be a marine biologist,” she adds. After studying Marine Biology at Boston University, she transferred to UC Santa Cruz in 1983 and ‘fell upon’ the (then) newly established Science Illustration Program where she was able to combine her two loves: art and science. One of her first clients was the Monterey Bay Aquarium and since then she has worked with over 25 aquariums and museums around the country including the Florida State, Long Beach, and North Carolina aquariums. Kells also worked for our own South Carolina Aquarium when it first opened.

One of the best compliments she received was when a woman mistook her paintings for photographs. Her illustrations are precisely detailed and she says, “The artwork I create cannot be produced by photographic or digital means.” She enjoys working with fishes that are unusual and mimic coral or those that have evolved in fascinating ways. “I also love painting iridescent fishes like Billfishes, Tunas, and Mackerels because they allow the watercolor to do what it does best.” The love of her work and the fishes she carefully constructs on paper is evident in each illustration.

During her upcoming discussion “Art of the Sea” at the South Carolina Aquarium, she will discuss the continuing value of original drawings and paintings in a visual world awash with digital photographs.  Join us for another fabulous Art With a Twist Event to hear Val Kells speak about her creative process on September 24 at 6:30 pm!

For more information about Val Kells visit: www.valkellsillustration.com

Location:  SC Aquarium, 100 Aquarium Wharf

Reception and Book Signing will follow.

$20 Members, $30 Non-Members

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