The association of the portrait with Fraser is traditional, but has been questioned. The profile, with its pronounced nose, sloping brow and full lips does resemble Fraser's Self-Portrait of 1823. The way in which the profile is cut at the neckline, the absence of clothing and the monochromatic gray coloring suggest that Vallee was attempting a cameo-like image. His usual unidealizing style and linear technique are apparent.
Notes:
This text is adapted from Martha Severens "The Miniature Portrait Collection of the Carolina Art Association" published by the Carolina Art Association, 1984
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