CLOSED. OPEN TOMORROW AT 10
OPEN

Artist, Scientist, Explorer: Mark Catesby in the Carolinas

May 12, 2017 - September 24, 2017

Gallery 8

BUY TICKETS

Featuring the British Royal Collection, this exhibition explores the incredible life and work of Mark Catesby, the English artist, scientist, and explorer who spent four years documenting the natural habitats of the Carolinas, Florida, and the Bahamas.

In 1722, Catesby arrived in Charleston and traveled throughout South Carolina and beyond documenting birds, reptiles and amphibians, fish, insects, and mammals indigenous to the American colonies. This four year sojourn resulted in a series of watercolors that documented the natural habitats of the Carolinas, Florida, and the Bahamas, and ultimately resulted in the first major work on the botanical and animal life of North America, The Natural History of Carolina, Florida and the Bahama Islands.

Artist, Scientist, Explorer: Mark Catesby in the Carolinas marks the first showing of Catesby’s original watercolors in Charleston, and only the second time his watercolors have been on view in the United States. The exhibition features 44 paintings on loan from Her Majesty Queen Elizabeth II from the British Royal Collection.

To underscore the significance of Catesby’s masterful paintings, the exhibition will also include a selection of watercolors created circa 1733 by George Edwards (1694–1773). Like his friend Mark Catesby, Edwards created precise watercolor renderings of birds. In many cases the two artists painted the same subject matter, including a bird particularly important to South Carolina, the now extinct Carolina Parakeet. Collected by John Drayton in 1733, rediscovered in 1969, and recently conserved, the Edwards paintings will be on loan from The Lenhardt Collection of George Edwards Watercolors at Drayton Hall, a historic site of the National Trust for Historic Preservation.

This exhibition is made possible through the vision and financial support of the Gilbert & Ildiko Butler Family Foundation.

Additional funding provided by:

Mr. and Mrs. Benjamin F. Lenhardt, Jr.

Jill and Richard Almeida

Ann Long Fine Art

Mr. and Mrs. Robert Black

Mr. and Mrs. Kevin Cox

EWH Charitable Trust

Mrs. Roger Hanahan in honor of David J. Elliott, executive director of the Catesby Commemorative Trust

Mr. and Mrs. James R. McNab, Jr.

Woody and Peggy Rash

Jane O. Waring in honor of David J. Elliott, executive director of the Catesby Commemorative Trust

Katharine Hastie

<i>The Summer Duck</i>, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor heightened with gum arabic, over traces of pencil; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The Summer Duck, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor heightened with gum arabic, over traces of pencil; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

<i>Ivory-billed woodpecker and willow oak</i>, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor over pen and ink; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

Ivory-billed woodpecker and willow oak, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor over pen and ink; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

<i>The Ribbon-Snake and Winter's Bark</i>, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor heightened with gum arabic, over touches of pencil; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The Ribbon-Snake and Winter's Bark, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor heightened with gum arabic, over touches of pencil; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

<i>The Parrot of Carolina and the Cypress of America</i>, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor, bodycolor, and pen and ink; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The Parrot of Carolina and the Cypress of America, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor, bodycolor, and pen and ink; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

<i>The Porgy</i>, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The Porgy, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

<i>The Red Bird, the Hiccory Tree and the Pignut</i>, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor heightened with gum Arabic; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The Red Bird, the Hiccory Tree and the Pignut, ca. 1722—1726, by Mark Catesby (British, 1682—1749); watercolor and bodycolor heightened with gum Arabic; Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

Related Content

International Perspectives

In February 2014, the Gibbes took a group of museum members on a trip to Cuba. I was lucky enough to travel with the group and it was an incredible…

READ MORE

The Colorful Collector behind the Black and White Photographs

The selection of fourteen photographs by major twentieth-century photographers now on view in Gallery 3 in the exhibition Magic in the Mundane: Modernist Photography features works by modern masters like…

READ MORE

THE DAILY BY BUTCHER & BEE ANNOUNCES PARTNERSHIP WITH THE GIBBES MUSEUM

Introducing The Daily at the Gibbes: Beginning in early-2018, The Daily will assume operations of the Gibbes Museum Café installing a new concept and serving favorites from the Upper King…

READ MORE

Looking Back to Summer Fun

For the first time ever, the Gibbes offered a summer teen camp for ages 13 and up. Two week-long portrait study sessions were offered in June and July. Long-time Gibbes…

READ MORE